The
following article appeared in the January 2006 issue of Science of
Mind magazine (www.scienceofmind.com).
Science of Mind’s Spiritual Hero of 2005
Bono
and the Art of Getting Results
How
the Legendary Rocker Bridges the Gap Between Faith and Power
by
Mitch Horowitz
Rock music and social
causes became inextricably bound in the late 1960s. Rock songs provided
the soundtrack to the era’s protest movements and articulated the
highest hopes and most deeply felt anger of the Vietnam generation.
In today’s
money-driven age, however, socially conscious songwriting seems sadly
irrelevant. Music that once challenged the prevailing order – from the
Beatles to the Clash, from the Doors to Jimi Hendrix – now provides the
background to car commercials. As a revolutionary force, rock seems
spent.
But look again.
Bono, the
lion-haired, sun-glassed frontman of rock super-group U2, has spent most
of this decade pioneering new ways for music to retake the political
stage. His secret weapon? A deeply felt and seriously abiding sense of
faith – one that has made it possible for the Irish rocker to connect
with both arenas of screaming fans and the famously crusty Republican
Senator Jesse Helms. “I love Bono,” says the conservative icon.
Bono is not a protest
rocker in the old style. “I’m not a winging liberal…I’m no hippie with
flowers in my hair. I come from punk rock,” he told Oprah. Bono is, in
fact, a meticulous and shrewd forger of alliances – and a winner of
results.
In the last year,
while touring with a successful new album, Bono worked relentlessly to
help secure billions in debt-relief and AIDS funding for the poorest
nations of Africa. And he did all it with a sneer on his lips that would
do Elvis proud and a from-the-gut faith that punctuates his every public
statement. For this, Bono is Science of Mind’s Spiritual Hero for 2005.
Getting Results
Bono is not the only
rock star possessed of spiritual and social passion. But he is, perhaps,
the only one who unites the two in a manner that makes a real
difference.
This past September,
the World Bank and the International Monetary Fund put the final stamp
on a package that Bono – according to every finance minister and banking
executive who has met him – helped to pioneer and push through: A plan
to forgive more than $40 billion dollars in loans that the poorest
nations of Africa owe the richest countries of the industrialized world.
Africa has suffered
from a crushing AIDS pandemic, worsened, economists say, during years in
which the West reneged on promised levels of assistance. While the
debt-relief package is no cure-all, it will help well-governed African
nations redirect money to schooling and AIDS prevention. As such, the
plan represents authentic, measurable progress on the African continent.
And, say politicians of the left and the right, without Bono, it would
have been a dead letter.
“This guy is for
real,” said Republican Congressman Sonny Callahan of Alabama, echoing
sentiments one often hears about the activist-rocker. Congressmen,
finance ministers, bank executives, United Nations officials – all say
the same thing: Bono knows the numbers, understands the political
realities, and has the celebrity and clout to bring powerful people to
the bargaining table.
“Some Republicans
acknowledge privately that working with Bono is attractive to them
because he gives them credibility with younger more liberal voters, who
are not their natural constituents,” writes The New York Times.
Indeed, some dismissively say that Bono is merely a good photo-op,
someone who can burnish the image of a buttoned-up politician.
It is a criticism
with which Bono agrees, to a point. “I’m available to be used, that is
the deal here,” he said last year. “I’ll step out with anyone, but I’m
not a cheap date.” Not cheap, indeed. Bono wins more pledges and action
from international leaders than perhaps any other single figure in the
world today.
A
Tough Faith
The 45-year-old Bono
often invokes the teachings of Christ as the driving force behind his
activism. But his religious principles come from a childhood that
provided no pat answers or ready-made dogma. Born Paul David Hewson,
Bono grew up in Dublin, Ireland, the son of a Protestant mother and
Catholic father. His mother died suddenly – struck down by an aneurysm
at the funeral of her own father – when Paul was just 14 years old. He
was forced to walk a narrow line in a tough city: A teenager without a
mother, from a family without a clear religious background, living in a
nation where Catholic and Protestant where not just faiths, but warring
camps.
The young Bono felt
two major pulls in life: punk rock and Christianity. In his own fashion,
he followed both. Bono accompanied the same mates with whom he started a
high school rock band – and who form the U2 lineup today – into a
Charismatic Christian collective called the Shalom fellowship. The
band’s involvement with the community strongly influenced their first
two albums, Boy and October, which are thought to have born-again
themes.
But, say band
members, the Shalom fellowship eventually began to pressure the group to
abandon rock music for religion, rather than accommodate the two
together. Bono and the band bolted. “People actually started to take
stances on things,” recalls U2’s guitarist, known as The Edge, “and
tried to influence people’s lives and tell them what they should and
shouldn’t do. I have to say that it was a good time, but at the end it
got a bit weird…”
By 1982, when the
band began to emerge as one of the hottest rock acts in the world, it
was clear that no narrowly conceived faith could contain Bono. “I don’t
see Jesus Christ as being part of any religion,” Bono said. “Religion to
me is almost like when God leaves – and then people devise a set of
rules to fill the space.”
Yet U2’s brand of
religious devotion would remain at the forefront of their work. The
cover of their 2000 album All That You Can’t Leave Behind
features an altered airport sign that directs onlookers to read Jeremiah
33:3: “Call unto me, and I will answer thee, and show thee great and
mighty things, which thou knowest not.” Many U2 concerts open – perhaps
catching fans unaware – with quotations from the book of Psalms. One of
the group’s most recent hit singles, “Beautiful Day,” offers pointed
reference to Noah’s dove, making the song far more than the feel-good
pop anthem it may at first appear.
Bono’s religious
commitments not only fuel his activism, but also earn him clout with the
kinds of religious conservatives to whom activism is sometimes a
four-letter word. His ability to frame matters of foreign aid and
poverty relief as moral enterprises, and to speak about them with
religious passion, has opened doors to Republican Senators Jesse Helms
and William Frist, with whom Bono visited Africa in 2002. “He did bridge
the gap between me and the more liberal community,” said Alabama
Congressman Sonny Callahan.
But just when
observers think they’ve got Bono figured out, he throws a curve ball.
Or, to put it another way, an F-bomb. Bono angered Christian
fundamentalists in 2003 when he used the f-word on television during the
Golden Globe Awards. And he speaks frequently of drinking and of his
fondness for the pubs of his native Ireland. In 2002, he wrote the
foreword to a controversial book in Ireland, They’ve Hijacked God,
which castigates the modern church as a spiritual wasteland. As a
result, some evangelical writers have disparaged Bono as a religious
poseur, someone who uses Bible imagery without having a real grounding
in churches. Other religious conservatives, however, say he is an alarm
clock, reawakening churches to what they were supposed to have been
doing all along.
For his part, Bono
carefully targets praise in every direction. In 2005, he credited many
traditional religious institutions – especially evangelical churches –
for newly channeling resources to the African AIDS crisis. “I am
surprised and even a little disappointed that I can’t continue to beat
up the Church, because they’ve really responded.”
What Makes Bono Run?
Bono may be the first
figure to dominate both the worlds of rock music and global activism.
Onlookers are often left to wonder at how he does it all. Three traits
seem to buttress his public successes: mastery of detail; speaking truth
to power; and religious independence. They inform not only what he does,
but how.
-
Detail Man.
As evidenced by his political clout, Bono’s intellect and command of
facts – as well as no small degree of personal allure – swing open
doors to power. “It is Bono’s willingness to invest his fame,”
writes James Traub in The New York Times Magazine, “and to do so
with a steady sense of purpose and a tolerance for detail that has
made him the most politically effective figure in the recent history
of popular culture.” If Bono didn’t know the facts about Africa,
AIDS, and debt-relief he would never win face time with world
leaders. “I let him come in for 15 minutes,” said Paul O’Neill, the
former secretary of the Treasury in the Bush Administration. “And in
15 minutes he convinced me he was real.”
-
Truth to
Power. One of U2’s earliest songs was called “I Threw a Brick
Through a Window.” But the young Bono quickly realized that bricks
and rhetoric don’t work in a complex world. So he figured out how to
become an insider, while still speaking truth to power. “I am a
pest,” he said in 2002 after meeting George W. Bush. “I am a stone
in the shoe… a squeaky wheel. It is much hipper for me to be on the
barricades with a handkerchief over my nose – it looks better on the
resume of a rock-n-roll star. But I can do better by just getting
into the White House and talking.” When Bono speaks about the lives
– and deaths – of African AIDS victims, his tone is
uncompromising.
-
Religious
Independence. Bono may be the sole public figure who maintains
credibility with both traditionalist and progressive believers. Bono
is on first-name (well, one-name) terms with leading politicians of
the Christian right. But to evangelicals who want to claim Bono for
their own, one is tempted to reply: You’ve got to be kidding. “I am
a believer,” Bono said in 1997, “…but I find it hard to be around
religion. But if I was living close by I’d definitely be in the
congregation at Glide Memorial in San Francisco. Rev. Cecil Williams
there looks after the homeless, gays, straights; he marched with
Martin Luther King; he’s funny as hell – pardon the pun – and you
can get an HIV test during the service. Now that’s my kind of
church.”
Finding the Good
There is, perhaps,
one further ingredient to Bono’s success on the world stage. Bono
appears to intrinsically understand, even to exemplify, the spiritual
ethic: Others appear to us as we see them. Many spiritual traditions
teach that our preconception of another person frames the very manner in
which that individual will behave toward us. Hence, Bono finds the
good in his interlocutors. He searches out and praises that which is
positive in the power players with whom he meets. His approach is not to
manipulate others through superficial compliments or mawkish flattery;
but rather to elevate them through authentic praise and high
expectations.
In 2005, journalist
Michka Assayas asked the rocker, with obvious incredulity, whether he
actually liked President George W. Bush, with whom Bono has been
frequently photographed. “Yes,” Bono replied unhesitatingly. “As a man,
I believed him when he said he was moved to also do something about the
AIDS pandemic. I believed him. Listen, I couldn’t come from a more
different place, politically, socially, geographically. I had to make a
leap of faith to sit there.”
As in similar
encounters, writes journalist James Traub, “It wasn’t Bono’s belief in
the issue that was so effective. It was his belief in others.”
Bono’s strategy of
finding the good within one’s adversaries is perhaps adopted from the
methods of one of his idols, the Rev. Martin Luther King. In the 2005
book, Bono In Conversation, Bono tells the story of a meeting
King held with his advisers, in which they were complaining that the
newly appointed U.S. attorney general was an enemy of civil rights and
would prove an implacable barrier. Ironically, this figure was Bobby
Kennedy, who would later be known as a hero to the civil rights
movement. At the time, however, members of King’s inner circle saw the
tough-talking young jurist as an opponent.
As the meeting with
King wore on, his advisers complained ever more bitterly about the
perceived enemy before them. As Bono recounts the story, King replied:
“Well, then, let’s call this meeting to a close. We will re-adjourn when
somebody has found one thing redeeming to say about Bobby Kennedy,
because that, my friends, is the door through which our movement will
pass.”
When dealing with
your adversaries, Bono concludes, “Find the light in them, because that
will further your cause. And I’ve held onto that very tightly, that
lesson.”
This is the key – the
secret, if there is one – to his ability to reach politicians who
wouldn’t know U2 the rock band, from U2 the spy plane. And it supports
the role that Bono plays in the world today.
Yet for Bono – ever
the tough-minded realist from the streets of Dublin – outcomes are never
taken for granted. Reaching out to the highest in people, counting on
people, comes with a risk. “If you trust people, you are going to be
burnt ten percent of the time.” But, “You’re [also] gonna find yourself
in very good situations that you wouldn’t have, unless you took the
risk.”
The risk, for Bono,
is in being used by those in power, versus using them to aid the
poorest. In 2005, it is a risk that appears to have paid off.
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